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  • Zombi, You My Love

    So, I’ve read a lot of books recently while waiting for doctors and the like, so I better get started catching up on my reviews. I’m starting back in with Zombi, You My Love by William Orem, a wonderful professor of mine at Emerson who oversaw my first confrontation with playwriting. The class was incredible–but I definitely think I need to leave playwriting to the professionals.

    But back to Zombies. I had a chance to read his newest novel, Killer of Crying Deerwhile in his class. It was a beautiful story about an abducted British boy being shipwrecked with a tribe of the Shell People in the Florida Keys in 1699. When we talked about it, Orem asked if I found the language difficult because he had gotten comments to that effect from other people. I had to stop and think about it, because I had gotten so absorbed in the story, but I had noticed it the language having a distinctly different flow and feel. My conclusion was that it felt like I was actually reading a translation from the Shell People’s language–an extrodinarily good translation that brought me solidly into their culture but a unique occurance with an author writing in their native language.

    At the same time I purchased Killer of Crying Deer, I had also purchased his collection of shorts about Haiti: Zombi, You My Love. It got buried on my shelf and I found it again when I was getting ready to head out west and needed something to read. I wasn’t sure what to expect from the stories, other than being set in Haiti before the overthrow of Duvalier (pre-1986).

    What I found was a series of stories from 1936-1985 which weave and connect, drawing various local and visiting characters into a rich tapestry portraying life in the island country. From pompous aide workers to overworked nurses and Vodou priests, Orem has a story for every kind of person living on the island. Some are mystical, others brutally honest about the conditions and attitudes of the people.

    My two favorite stories in this collection are Bright Angel and Ló Bó Dlo. They were both stories that dealt with Vodou, but in different ways. Bright Angel was about a young woman who ends up pregnant by a man from the Dominican Republic and initially goes to a houngan, or Vodou priest, for an abortion. She ends up changing her mind and trying to get him to reverse the process about half way through. Ló Bó Dlo was about a young man who was refusing to carry on his family’s Vodou heritage. His father was a griot as was his father and his father before him, etc. He was breaking with tradition and contemplating leaving Haiti.

    Both of these stories had an incredible lyrical quality to them that almost made them seem like an oral tale, rather than a story confined to the page. The mysticism seemed almost logical and inevitable in them and contributed to the feeling of overall satisfaction at the end of the story. I feel that Angel had a happy ending, whereas the ending for Blo was much more ambiguous, but I put the book down at the end of both of those stories to better savor the sensations and feelings that Orem managed to evoke.

    The whole collection is quite excellent and when you start noticing the recurring characters, it’s fun to make the connections between them and notice the subtle web that connects the whole island together.

    Now I want to get my hands on his other collection, Across the River, and, if I could find them, his one-act plays. They are not, unfortunately, published in a separate collection, but I sure wish they were.

    Cover of Zombi, You My Love

  • Undercover Flash

    Devon’s heart raced and his palms were sweating. He’d never realized just how hard his mission was until he was through the door and looking at the desk. There were so many people around, he didn’t know how he was going to plant the box, but he had to. There was no turning back at this point.

    He had it hidden behind his back, tucked into his waistband under his coat. He scanned the room, trying to figure out a way to make sure no one was looking in his direction. They were all grouped around the desk he needed to get to, discussing something sitting there. The side of the room with the terrariums was empty, so Devon wandered over and stood looking over the tanks. He needed a distraction, but not one that would draw attention to him.

    He smiled when he saw Stanley. Making sure no one was watching, he quickly flipped the tortoise over onto its back and shuffled away. Once he was a good ten feet from the tanks, he turned back to that side of the room and hollered, “Hey! Stanley fell over, look at him trying to get right side up!”

    All of the kids in the room rushed to the tanks to laugh at the poor animal and Devon quickly made his way to Susie’s desk. When he got there, he saw what everyone had been talking about. Someone had given her one of the chocolate boxes that had three layers of morsels with different kinds of fillings. Devon looked down at the sad little heart in his hand that only held five little treasures and tried not to cry. It had taken all of the money he’d saved from his allowances the last three weeks just to get this little box.

    Instead of putting the box on her desk–like he’d planned–he turned instead to Ms. Mercuzi and handed the box to her. “Happy Valentine’s Day,” he mumbled before slumping into his seat. One of the kids had finally taken pitty on Stanley and righted him and the kids were heading back to their desks.

    Ms. Mercuzi clapped her hands and asked them all to pull out their math workbooks and turn to chapter 2. While his classmates moaned about the unfairness of starting class with math, Devon quietly got out his books and put his head down on top of them. He jumped when the chocolates were placed back on his desk.

    “You should still give them to her, you know. Slip them into her backpack during recess. And make sure you leave a note. She’ll appreciate something personal from you way more than that box of anonymous chocolates, trust me.”

    Devon smiled up at her, suddenly realizing that his teacher would make a great secret agent. He didn’t think anyone else had even heard the conversation or seen her hand off the box of chocolates. She winked and held a finger to her lips and he dragged out a piece of notebook paper and started laboriously constructing the perfect note to tell Susie just how cool a girl she was.

  • Writing Prompt #18

    Play along in the comments if you want!
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    Your character is undercover and about to get caught. Maybe he’s a crook, maybe he’s a cop, maybe he’s trying to plan a surprise party, your choice. How does he handle the situation when his cover is about to be blown?

    Teenage Mutant Ninja Turtles undercover

  • Mirror Flash

    I promised you guys that I would get back to the prompt I missed in between being  traveling and sick, so here it is, my response to Writing Prompt #16. If you don’t remember, it was that lovely photo of two women looking in a mirror from the 40s or 50s. But I’m feeling like twisting some things around here…
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    Lucille couldn’t believe it was actually dark. She had been nearly hysterical all day, waiting and waiting for the sun to set, finally submitting to her sister’s ministrations only when the daylight had started to dim. No more would she have to stay home with those too old to go out; she was finally old enough to join her parents and sister on the streets after dark.

    She had watched Linda go through her White Night two years ago when she turned 18, had helped her pin up her curls and lace up her dress. Her longing to join Linda on that night had been excruciating. But she had still been too young, and she hadn’t passed the safety exam yet. At least she had passed on her first try two months ago, unlike her year-mate Shirley who had to take the test five times before she was allowed out after dark.

    The test was long and some of the questions were designed deliberately to try and trick you into the wrong answers, like,

    On a young man’s White Night, is it permissible to
    a) proposition him
    b) ignore him
    c) fight with him
    d) none of the above 

    The answer was, of course, none of the above. The rules for White Nights dictated that the young person was allowed to proposition any of the above things, but no one could proposition them. The newly aged member of the community must do all of the approaching on their first night. This rule was instituted after a particularly sordid affair involving the mayor’s son and his friends taking advantage of a string of White Night girls. If you got that question wrong, you automatically failed and had to try again the following month to pass the test.

    But Lucille was about to step out of the house on her own White Night, dressed in a flowing white sheath she had made herself. It had classic, simple lines; she would have nothing to do with the current trend of pleats and ruffles, unlike her sister. Linda’s dress for the evening as her escort was a proper shade of midnight blue, but was an almost hideous combination of velvet, taffeta and gathers.

    The church bells pealed out their sundown pattern and Lucille turned back to the mirror one last time. Smiling at her sister behind her, she asked, “How do I look?”

    Linda beamed back, her eyes glistening. “You’re all grown up, Luce. I’m so proud of you. You look absolutely ravishing.”

    “Well let’s hope so, cause isn’t the whole point of the evening to be ravished?”

    Her sister’s smile faded a bit. “Yes and no. Luce, just be careful tonight. I’ll be right beside you the whole time, ok?”

    Lucille turned from the mirror and embraced her sister hard. “I know. But I passed the test the same as everyone else, I’m ready to Go Out.”

  • Places Flash

    I’ve moved a lot, but I rarely go back to places. I’ve visited my old high school once, the summer after I graduated, and I steadfastly avoid going back to see old houses where I’ve lived. It feels somewhat like a betrayal–of what, I have no idea, don’t ask me, that’s just how I feel.

    But when I was invited out to the West Coast for a wedding, I decided I wanted to take the opportunity to go back to my college town, see a few people, take a look at the campus. I was hoping the cherry blossoms would be in full bloom, but it had been too wet for that.

    Driving into town was uneventful; my mother and I got checked in at the hotel and made plans to meet my old roommate for dinner and just relaxed. The hotel was a bit sketchy, but they spent their money in the right places, like excellent mattresses and 400 channel satellite in every room. However, the halls smelled like bad asian takeout and we parked the car right next to the front door, just in case. I didn’t think much of it since we were on the stretch of ‘highway’ leading into Salem and it had always been a bit run down.

    The evening and next day were a wonderful whirlwind of hanging out with friends, seeing old professors, and marveling over the new construction on campus. I have to admit, I was a bit jealous of all the improvements that had been made–new buildings, old buildings completely remodeled. It was impressive. But I also started noticing things, like just how old my favorite professors had started to look. Some of them were old to begin with, but others were definitely softer and grayer looking. You can’t tell how people age over email, but you can’t ignore it in person. I think this is why I prefer email.

    And then, while some buildings looked amazing, others were starting to look tired, like the Bistro on campus. The couches were more ragged and even more uncomfortable, if that was possible. It was unnerving, seeing the age. I know it’s cliche as all get out, but I didn’t like seeing my campus change, or my friends actually turn into adults, filling out and settling into their young adult frames.

    My rudest shock by far was the town. It was just so…gross. I’d had a car during school, I’d driven around to the malls, the thrift shops, the movie theaters. I’d been  off campus a lot, but everything just appeared so grimy and lifeless.

    My mother and I were packing up and preparing to drive up to Seattle the next day, picking up my boyfriend on the way from the airport. “I don’t know if I just lived in the bubble too much while I was here, but was the town always this dilapidated?”

    “Yeah, it was, that’s why I was so happy when you lived on campus. You were so involved with the Willamette Bubble you never really missed having a functioning town around you.”

    It was unsettling, seeing what I’d just missed seeing during the four years I lived at what I now know was the pristine heart of the town: campus and the capitol building. Much more so than the differences in my favorite buildings and people. I was almost disappointed in myself for not noticing earlier what was around me.

    I always thought that if a teaching position opened up in the English Department at Willamette, I’d jump at the chance to go back. Not now. I couldn’t stand to live there, or even really have to commute there everyday. It was heartbreaking. It just makes me feel that I’m right to never go back, not see what has become of my favorite places. Email, meeting friends for vacations, this is what I’ll stick with from here on out. It hurts less.

  • Writing Prompt #17

    Okay, so I can eat enough again that my brain has started working, so let’s try a new writing prompt. I’m going to respond to the last one and then this one this week and try and get back on schedule. So who wants to join with me on getting back into writing regularly? You? Excellent. Put your fiction (or non-fiction) in the comments.
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    I just finished the Hunger Games trilogy. I know, not high literature, but entertaining none-the-less when you’re down 1,000 calories a day and trying to pretend you don’t hurt. SO, I think it was a fine 15 hours spent all told. But there is one thing that Collins does repeatedly that I think we should play with.

    Her main character, Katniss, is constantly returning to places that are significant to her and her character changes are reflected in how she views the special spot–also in how that spot has been changed without her around, but we won’t go into the heavy handedness of her metaphors right now.

    My charge to you, dear readers, is to pick a spot significant to your characters (or to you; can you tell I’m planning a non-fiction response already?) and have your character view it again after some life-changing event. We don’t necessarily need to know what the event it, though you can tell us if you want. The goal is more to see the character realize and deal with the fact that the place has changed in meaning since they last saw it.

    destroyed playground

  • Guest Post

    I promise to get you my flash for this week’s prompt eventually. Now that I can actually eat again, I’m starting to be able to think again and there’s a lot of stuff to catch up on.

    But I’m off to be sedated today for some fun tests, so enjoy a guest post from Zac Bentley
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    On Princesses

    Princesses are okay girls. I mean, they can be a bit much at times, but who isn’t? The thing about a princess is that she’s used to being treated like a princess. She knows the role, knows your role, knows how it’s all supposed to go down. She knows that you’ll try and impress her with money, or, failing that, falsely-unique offerings to hide the fact that you have no money. She’s seen it all a million times before. It’s dull for her.

    Sure, there’s a chance you could distinguish yourself from the princes—but that means you have to become one, and they’re total douchebags. She might notice you that way, but at what cost? Trust me, you don’t want to pay it.

    No, the trick with princesses is to understand one thing: they don’t want to be treated like princesses. That doesn’t mean they want to be treated badly. That means they want to forget. They want you to do things that catch them so totally in the moment that all of thier poise and manners and makeup are forgotten. Princesses don’t want you to treat them like princesses; they want you to give them swords.

    If you do that, they’ll notice. If you give them swords and pirate ships and real fights and explosions, they’ll perk up. If you forgo dates, and take them out trespassing, they’ll start to wake up a little. But it’s got to be real. If the princess gets a hint that it might just all be for her—and she will, if it is—she’ll leave. It can’t be for show. Take her with you to do something dangerous.  Really dangerous, not theme-park-ride dangerous. Give her responsibilities, and make her take risks. Not because you think she’ll like it, but because you need her to, and if she doesn’t hold the other end of the rope you’ll fall into the lava, and if she doesn’t parry, the Dark Man (or whoever) will run you through with his black rapier. Find those places. Find those experiences. Not for her—with her.

    Give a princess a sword.

    Who knows who she’ll turn out to be?

    Princess Peach with a sword.

  • This is not a flash

    Sorry guys, but I’m not going to be on here for at least a few days. Some health things have come up and I am really not up to keeping my schedule. Will post as I can.

  • Writing Prompt #16

    As usual, let me remind you that you can share your responses to the prompt either in the comments on this post, or in the comments on my response. If your response to the prompt is too long, let me know in the comments and we’ll get it posted as a regular post!
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    Who are these two lovely ladies? I figured since I just finished up being in a fancy formal event, I wanted to give all of you the chance to write something about whatever event you think is taking place here. It looks to be about the 40’s or 50’s,  another relic from the wonderful old antique shop drawer full of photos. So, let’s have at it! Who are these women?

    Two women looking into a mirror, one wearing a white dress.

  • Fantasy and Passion

    I will be the first to admit that when it comes to poetry, I am a bit of a Victorian junkie. Tell me what you will about the strict rhythm and rhyme forms, or the sappy nature of the poetry, I don’t care. I love the obvious and cadenced rhythms because they speak to me on the level of a percussionist and I love how very easy it is to understand what they’re talking about. Yes, there is metaphor and symbolism, but at the same time, it is not random words sprinkled on a page with no discernible pattern or reasoning. (Disclaimer: My liking of this genre of writing from the timeperiod should in NO WAY indicate any interest in any of the fiction writing of the time, or even most of the non-fiction writing. I can’t stand that stuff.)

    So, starting with that admission, you will more readily understand why I was ecstatic to lay my hands on a first edition copy of Fantasy and Passion by Edgar Fawcett. I saw a first edition volume sitting on the shelf during a tour of Ralph Waldo Emerson’s house this last summer and fell in love with the maroon cloth with  gold relief sun filigree and desired one of my own. Abebooks kindly provided me with the necessary means to this end.

    The poetry certainly didn’t disappoint, either. It is clean and crisp and flows off the tongue like the best of the sonnets, and I wanted to share a couple of my favorites here with you.

    Heat-Lightning

    The land is bathed in drowsy light,
    And breezes move, with drowsy sigh,
    From out that primrose West where now
    The long day takes so long to die!

    I watch the deepening dusk, I watch,
    With soul to languid fancies given,
    Night close the starry flowers on earth
    And ope the flowerlike stars in heaven!

    Not seem with more than transient look
    If random glances near it stray,
    Huge in the hueless East there hangs
    One rounded cloud of stagnant gray.

    The moments pass; a rapid bat
    Traces black zigzags on the sky;
    A beetle, bringing us his deep
    Basso Profundo, journeys by.

    Down in the dim swamp, firefly throngs
    A brilliant soundless revel keep,
    As though beneath their radiant rain
    Another Danae slept her sleep!

    The mild night grows; through meadowed ways
    The globing dew makes odor sweet,
    And slowly now, in that dark cloud,
    A pluse of gold begins to beat!

    With fitful brightenings, brief to last,
    The tender flashes come and fly,
    Each winning forth from vapory depths
    A dreamy picture, rich of dye.

    Drenched to its core with gentle fire,”
    The cloud, at every mellowing change,
    Shows tranquil lakes and lovely vales
    And massive mountains, range on range!

    And standing in the summer gloom,
    With placid rapture I behold
    These luminous Andes of the air,
    These ghostly Switzerlands of gold!

    So, besides of a criminal overuse of exclamation marks, I really love the stuff in this collection. If you have a love of Victorian type poetry, like I do, grab a copy of Fawcett, he’s constantly being reprinted. In fact, I think there was a new one sometime earlier this year, so you don’t have to get a first edition, I just wanted one!

    Cover of Fantasy and Passion