They left me Hungry…

So, when you’re queued up for tests involving sedation of any kind, it’s best to pick up a book you don’t care if you remember anything about. I’d read The Hunger Games back in September but had no great urge to read the sequels, but low and behold you could borrow them for free on the Kindle and I didn’t care about whether I remembered them or not. They foot the bill perfectly.

It took a grand total of three days to read the second two books, and that was around hospitals and work. So, I think I estimated that I spent five hours on each one. They were diverting and entertaining, but I think that’s about the best that can be said for them. Here’s why (SPOILERS TO FOLLOW):

Katniss is just a tool. Yes, she can be badass when she wants to. No, I would never be able to accomplish the feats of willpower and strength that she does. HOWEVER. In the second and third books she is constantly being manipulated, kept out of the loop, and is, in essence, a pawn for both sides of the revolution, regardless of the fact that District 13 keeps pretending she’s their queen. She’s not. And by the time you reach the end of the third book, she’s no longer even an active participant in anything. It’s not her who breaks down the stronghold, she just gets to watch her sister die. It’s not her who catches and kills President Snow. She’s around, but what she does makes no actual difference to the revolution. In fact, President Coin keeps trying to off her because she thinks the Mockingjay would make a better martyr than figurehead.

And so, at the end, we’re left with a broken and ineffectual girl who, when they try one more time to use her–this time as Snow’s executioner–who finally makes a difference and kills the harpy Coin instead. The one decent act Katniss was given in the entire latter half of the third book.

I spent a lot of time asking myself if I would have made different choices as a writer and what the choices that Collins made actually did for the characters and the story. In The Hunger Games, I feel like the author actually did make the best choices for story and character. Katniss, while being played by her sponsors and the government, was still and active character making a difference in her world. Collins strips this away from her towards the end of the trilogy and I found that extremely disappointing. I probably would have decided to make her the damn hero and sure as hell wouldn’t have killed her sister. The only point that had was to make her choose one boy over another and it just ended up feeling contrived.

All that being said, I will definitely make the case that I would prefer to have children reading these books over Twilight ANY day. They’re bloody and vicious, but are very well written at a sentence, paragraph, character arc, cultural enrichment level. I may dislike what Collins did with Katniss’s character, but I still think she was on to something with all of this. Maybe not quite as strong as Harry Potter, but definitely in the running for good books for young adults to read.

As for the movie? It did a pretty good job sticking to the first book, except for cutting a few unnecessary characters and having one riot too early. Otherwise, my only complaint was that Peeta wasn’t hot enough. Especially if she ends up choosing him in the end…

A sign at a theater saying, "Due to limited ticket availability, guests will be chosen at random to fight to the death in our area."

Zombi, You My Love

So, I’ve read a lot of books recently while waiting for doctors and the like, so I better get started catching up on my reviews. I’m starting back in with Zombi, You My Love by William Orem, a wonderful professor of mine at Emerson who oversaw my first confrontation with playwriting. The class was incredible–but I definitely think I need to leave playwriting to the professionals.

But back to Zombies. I had a chance to read his newest novel, Killer of Crying Deer, while in his class. It was a beautiful story about an abducted British boy being shipwrecked with a tribe of the Shell People in the Florida Keys in 1699. When we talked about it, Orem asked if I found the language difficult because he had gotten comments to that effect from other people. I had to stop and think about it, because I had gotten so absorbed in the story, but I had noticed it the language having a distinctly different flow and feel. My conclusion was that it felt like I was actually reading a translation from the Shell People’s language–an extrodinarily good translation that brought me solidly into their culture but a unique occurance with an author writing in their native language.

At the same time I purchased Killer of Crying Deer, I had also purchased his collection of shorts about Haiti: Zombi, You My Love. It got buried on my shelf and I found it again when I was getting ready to head out west and needed something to read. I wasn’t sure what to expect from the stories, other than being set in Haiti before the overthrow of Duvalier (pre-1986).

What I found was a series of stories from 1936-1985 which weave and connect, drawing various local and visiting characters into a rich tapestry portraying life in the island country. From pompous aide workers to overworked nurses and Vodou priests, Orem has a story for every kind of person living on the island. Some are mystical, others brutally honest about the conditions and attitudes of the people.

My two favorite stories in this collection are Bright Angel and Ló Bó Dlo. They were both stories that dealt with Vodou, but in different ways. Bright Angel was about a young woman who ends up pregnant by a man from the Dominican Republic and initially goes to a houngan, or Vodou priest, for an abortion. She ends up changing her mind and trying to get him to reverse the process about half way through. Ló Bó Dlo was about a young man who was refusing to carry on his family’s Vodou heritage. His father was a griot as was his father and his father before him, etc. He was breaking with tradition and contemplating leaving Haiti.

Both of these stories had an incredible lyrical quality to them that almost made them seem like an oral tale, rather than a story confined to the page. The mysticism seemed almost logical and inevitable in them and contributed to the feeling of overall satisfaction at the end of the story. I feel that Angel had a happy ending, whereas the ending for Blo was much more ambiguous, but I put the book down at the end of both of those stories to better savor the sensations and feelings that Orem managed to evoke.

The whole collection is quite excellent and when you start noticing the recurring characters, it’s fun to make the connections between them and notice the subtle web that connects the whole island together.

Now I want to get my hands on his other collection, Across the River, and, if I could find them, his one-act plays. They are not, unfortunately, published in a separate collection, but I sure wish they were.

Cover of Zombi, You My Love

Undercover Flash

Devon’s heart raced and his palms were sweating. He’d never realized just how hard his mission was until he was through the door and looking at the desk. There were so many people around, he didn’t know how he was going to plant the box, but he had to. There was no turning back at this point.

He had it hidden behind his back, tucked into his waistband under his coat. He scanned the room, trying to figure out a way to make sure no one was looking in his direction. They were all grouped around the desk he needed to get to, discussing something sitting there. The side of the room with the terrariums was empty, so Devon wandered over and stood looking over the tanks. He needed a distraction, but not one that would draw attention to him.

He smiled when he saw Stanley. Making sure no one was watching, he quickly flipped the tortoise over onto its back and shuffled away. Once he was a good ten feet from the tanks, he turned back to that side of the room and hollered, “Hey! Stanley fell over, look at him trying to get right side up!”

All of the kids in the room rushed to the tanks to laugh at the poor animal and Devon quickly made his way to Susie’s desk. When he got there, he saw what everyone had been talking about. Someone had given her one of the chocolate boxes that had three layers of morsels with different kinds of fillings. Devon looked down at the sad little heart in his hand that only held five little treasures and tried not to cry. It had taken all of the money he’d saved from his allowances the last three weeks just to get this little box.

Instead of putting the box on her desk–like he’d planned–he turned instead to Ms. Mercuzi and handed the box to her. “Happy Valentine’s Day,” he mumbled before slumping into his seat. One of the kids had finally taken pitty on Stanley and righted him and the kids were heading back to their desks.

Ms. Mercuzi clapped her hands and asked them all to pull out their math workbooks and turn to chapter 2. While his classmates moaned about the unfairness of starting class with math, Devon quietly got out his books and put his head down on top of them. He jumped when the chocolates were placed back on his desk.

“You should still give them to her, you know. Slip them into her backpack during recess. And make sure you leave a note. She’ll appreciate something personal from you way more than that box of anonymous chocolates, trust me.”

Devon smiled up at her, suddenly realizing that his teacher would make a great secret agent. He didn’t think anyone else had even heard the conversation or seen her hand off the box of chocolates. She winked and held a finger to her lips and he dragged out a piece of notebook paper and started laboriously constructing the perfect note to tell Susie just how cool a girl she was.

Writing Prompt #18

Play along in the comments if you want!
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Your character is undercover and about to get caught. Maybe he’s a crook, maybe he’s a cop, maybe he’s trying to plan a surprise party, your choice. How does he handle the situation when his cover is about to be blown?

Teenage Mutant Ninja Turtles undercover

Mirror Flash

I promised you guys that I would get back to the prompt I missed in between being  traveling and sick, so here it is, my response to Writing Prompt #16. If you don’t remember, it was that lovely photo of two women looking in a mirror from the 40s or 50s. But I’m feeling like twisting some things around here…
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Lucille couldn’t believe it was actually dark. She had been nearly hysterical all day, waiting and waiting for the sun to set, finally submitting to her sister’s ministrations only when the daylight had started to dim. No more would she have to stay home with those too old to go out; she was finally old enough to join her parents and sister on the streets after dark.

She had watched Linda go through her White Night two years ago when she turned 18, had helped her pin up her curls and lace up her dress. Her longing to join Linda on that night had been excruciating. But she had still been too young, and she hadn’t passed the safety exam yet. At least she had passed on her first try two months ago, unlike her year-mate Shirley who had to take the test five times before she was allowed out after dark.

The test was long and some of the questions were designed deliberately to try and trick you into the wrong answers, like,

On a young man’s White Night, is it permissible to
a) proposition him
b) ignore him
c) fight with him
d) none of the above 

The answer was, of course, none of the above. The rules for White Nights dictated that the young person was allowed to proposition any of the above things, but no one could proposition them. The newly aged member of the community must do all of the approaching on their first night. This rule was instituted after a particularly sordid affair involving the mayor’s son and his friends taking advantage of a string of White Night girls. If you got that question wrong, you automatically failed and had to try again the following month to pass the test.

But Lucille was about to step out of the house on her own White Night, dressed in a flowing white sheath she had made herself. It had classic, simple lines; she would have nothing to do with the current trend of pleats and ruffles, unlike her sister. Linda’s dress for the evening as her escort was a proper shade of midnight blue, but was an almost hideous combination of velvet, taffeta and gathers.

The church bells pealed out their sundown pattern and Lucille turned back to the mirror one last time. Smiling at her sister behind her, she asked, “How do I look?”

Linda beamed back, her eyes glistening. “You’re all grown up, Luce. I’m so proud of you. You look absolutely ravishing.”

“Well let’s hope so, cause isn’t the whole point of the evening to be ravished?”

Her sister’s smile faded a bit. “Yes and no. Luce, just be careful tonight. I’ll be right beside you the whole time, ok?”

Lucille turned from the mirror and embraced her sister hard. “I know. But I passed the test the same as everyone else, I’m ready to Go Out.”

Places Flash

I’ve moved a lot, but I rarely go back to places. I’ve visited my old high school once, the summer after I graduated, and I steadfastly avoid going back to see old houses where I’ve lived. It feels somewhat like a betrayal–of what, I have no idea, don’t ask me, that’s just how I feel.

But when I was invited out to the West Coast for a wedding, I decided I wanted to take the opportunity to go back to my college town, see a few people, take a look at the campus. I was hoping the cherry blossoms would be in full bloom, but it had been too wet for that.

Driving into town was uneventful; my mother and I got checked in at the hotel and made plans to meet my old roommate for dinner and just relaxed. The hotel was a bit sketchy, but they spent their money in the right places, like excellent mattresses and 400 channel satellite in every room. However, the halls smelled like bad asian takeout and we parked the car right next to the front door, just in case. I didn’t think much of it since we were on the stretch of ‘highway’ leading into Salem and it had always been a bit run down.

The evening and next day were a wonderful whirlwind of hanging out with friends, seeing old professors, and marveling over the new construction on campus. I have to admit, I was a bit jealous of all the improvements that had been made–new buildings, old buildings completely remodeled. It was impressive. But I also started noticing things, like just how old my favorite professors had started to look. Some of them were old to begin with, but others were definitely softer and grayer looking. You can’t tell how people age over email, but you can’t ignore it in person. I think this is why I prefer email.

And then, while some buildings looked amazing, others were starting to look tired, like the Bistro on campus. The couches were more ragged and even more uncomfortable, if that was possible. It was unnerving, seeing the age. I know it’s cliche as all get out, but I didn’t like seeing my campus change, or my friends actually turn into adults, filling out and settling into their young adult frames.

My rudest shock by far was the town. It was just so…gross. I’d had a car during school, I’d driven around to the malls, the thrift shops, the movie theaters. I’d been  off campus a lot, but everything just appeared so grimy and lifeless.

My mother and I were packing up and preparing to drive up to Seattle the next day, picking up my boyfriend on the way from the airport. “I don’t know if I just lived in the bubble too much while I was here, but was the town always this dilapidated?”

“Yeah, it was, that’s why I was so happy when you lived on campus. You were so involved with the Willamette Bubble you never really missed having a functioning town around you.”

It was unsettling, seeing what I’d just missed seeing during the four years I lived at what I now know was the pristine heart of the town: campus and the capitol building. Much more so than the differences in my favorite buildings and people. I was almost disappointed in myself for not noticing earlier what was around me.

I always thought that if a teaching position opened up in the English Department at Willamette, I’d jump at the chance to go back. Not now. I couldn’t stand to live there, or even really have to commute there everyday. It was heartbreaking. It just makes me feel that I’m right to never go back, not see what has become of my favorite places. Email, meeting friends for vacations, this is what I’ll stick with from here on out. It hurts less.

Writing Prompt #17

Okay, so I can eat enough again that my brain has started working, so let’s try a new writing prompt. I’m going to respond to the last one and then this one this week and try and get back on schedule. So who wants to join with me on getting back into writing regularly? You? Excellent. Put your fiction (or non-fiction) in the comments.
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I just finished the Hunger Games trilogy. I know, not high literature, but entertaining none-the-less when you’re down 1,000 calories a day and trying to pretend you don’t hurt. SO, I think it was a fine 15 hours spent all told. But there is one thing that Collins does repeatedly that I think we should play with.

Her main character, Katniss, is constantly returning to places that are significant to her and her character changes are reflected in how she views the special spot–also in how that spot has been changed without her around, but we won’t go into the heavy handedness of her metaphors right now.

My charge to you, dear readers, is to pick a spot significant to your characters (or to you; can you tell I’m planning a non-fiction response already?) and have your character view it again after some life-changing event. We don’t necessarily need to know what the event it, though you can tell us if you want. The goal is more to see the character realize and deal with the fact that the place has changed in meaning since they last saw it.

destroyed playground

Guest Post

I promise to get you my flash for this week’s prompt eventually. Now that I can actually eat again, I’m starting to be able to think again and there’s a lot of stuff to catch up on.

But I’m off to be sedated today for some fun tests, so enjoy a guest post from Zac Bentley…
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On Princesses

Princesses are okay girls. I mean, they can be a bit much at times, but who isn’t? The thing about a princess is that she’s used to being treated like a princess. She knows the role, knows your role, knows how it’s all supposed to go down. She knows that you’ll try and impress her with money, or, failing that, falsely-unique offerings to hide the fact that you have no money. She’s seen it all a million times before. It’s dull for her.

Sure, there’s a chance you could distinguish yourself from the princes—but that means you have to become one, and they’re total douchebags. She might notice you that way, but at what cost? Trust me, you don’t want to pay it.

No, the trick with princesses is to understand one thing: they don’t want to be treated like princesses. That doesn’t mean they want to be treated badly. That means they want to forget. They want you to do things that catch them so totally in the moment that all of thier poise and manners and makeup are forgotten. Princesses don’t want you to treat them like princesses; they want you to give them swords.

If you do that, they’ll notice. If you give them swords and pirate ships and real fights and explosions, they’ll perk up. If you forgo dates, and take them out trespassing, they’ll start to wake up a little. But it’s got to be real. If the princess gets a hint that it might just all be for her—and she will, if it is—she’ll leave. It can’t be for show. Take her with you to do something dangerous.  Really dangerous, not theme-park-ride dangerous. Give her responsibilities, and make her take risks. Not because you think she’ll like it, but because you need her to, and if she doesn’t hold the other end of the rope you’ll fall into the lava, and if she doesn’t parry, the Dark Man (or whoever) will run you through with his black rapier. Find those places. Find those experiences. Not for her—with her.

Give a princess a sword.

Who knows who she’ll turn out to be?

Princess Peach with a sword.

Writing Prompt #16

As usual, let me remind you that you can share your responses to the prompt either in the comments on this post, or in the comments on my response. If your response to the prompt is too long, let me know in the comments and we’ll get it posted as a regular post!
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Who are these two lovely ladies? I figured since I just finished up being in a fancy formal event, I wanted to give all of you the chance to write something about whatever event you think is taking place here. It looks to be about the 40’s or 50’s,  another relic from the wonderful old antique shop drawer full of photos. So, let’s have at it! Who are these women?

Two women looking into a mirror, one wearing a white dress.